Finding the Center the Art of the Zuni Storyteller Amazon Kindle
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Dennis' philosophical bent was epistemological interrogation twinned with what I've since come up to call somatic knowledge, a reliance on the rightness and receptiveness of bodily sensation. His offset book took on the chore of enlarging on the "text" of storytelling with diacritical typographic styles - using line breaks, capitalisation, phonetic suggestion and other methods to render the stories he translated from his Zuni storytelling "informants" and to capture some of the subtlety and dynamism of their oral performances. The result on the page was akin to physical poesy but the intent was to ground the stories in the "at present" of their telling. In those years, Tedlock and the poet Jerome Rothenberg were melding the report of anthropology, translation and oral poetry into what they helped to proper name "ethnopoetics", especially through Tedlock's founding of the periodical Alcheringa.
Tedlock went on to become all-time known as a Mayanist and as a founder of dialogic anthropology, an academic sub-field of study borrowing from the linguistic and critical theories of the Russian literary critic Mikhail Bakhtin and his book of articles "The Dialogic Imagination" (1981). Dialogic anthropology stresses the contextual exchanges between the informant and the anthropologist as a "conversational" run into where cultural keys are revealed in the form of negotiating an 'in-between' or new integrated context or 'cultural reality'.
The kernels of all that are here in this book…and some practiced yarns, too. It is a "skillful read" in add-on to being a thought provoking precursor to so many other books. Dennis Tedlock died June 3rd, 2016. I highly recommend any number of his books, and those of his yet lively widow, Barbara Tedlock, who has written extensively on the cross cultural interpretation of dreams and her shamanic initiation from a feminine perspective. See specially her volume on the female roots of shamanism, "The Woman in a Shaman'due south Body."
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Like having these narratives told past the zuni indians themselves in their own format. It's tricky.
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The book was meant for adult readers, only several of the stories could exist used by teachers for a multi-cultural lesson taught in poetic renderings.
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